Fashion and textile printing have long global histories, with India, China, and Japan contributing foundational techniques. Since the late 1990s Indian organisations such as the FDCI and platforms like Lakmé Fashion Week have helped professionalize and showcase the industry. Recent decades brought digital textile printing, ready-to-wear expansion, e-commerce distribution, and rising attention to sustainability, even as regional handcrafts like Kanchipuram and Banaras silks and zardozi embroidery remain influential.
Fashion and textile printing: a long, global story
Fashion has long been a public expression of identity, status, and craft. Dress, jewelry, and hair styles recorded social change in Europe from the Middle Ages onward, while parallel textile and ornament traditions developed across Asia. Textile printing and weaving have deep roots in India, China, and Japan, and these arts travelled and mixed through trade and travel.Key historical threads
In early modern Europe, elaborate costumes and jewelry featured in theatre and portraiture, reinforcing social distinction. Poets and satirists also used fashion as cultural commentary. In South Asia, handloom weaving, block printing, and metal-thread embroidery (zari and zardozi) developed rich regional vocabularies - examples still visible today in Kanchipuram and Banaras silk traditions.Indian institutions and industry changes
The Fashion Design Council of India (FDCI), formed in the late 1990s, helped organise designers and showcase Indian talent internationally. Lakmé Fashion Week - launched in the late 1990s - established a recurring platform for commercial and creative fashion in India.Since the 2000s, the Indian industry has expanded beyond couture into ready-to-wear, accessories, and value-driven segments that reach wider income groups through retail and e-commerce. Crafts such as zardozi remain important in ceremonial and luxury segments while designers and manufacturers increasingly combine handwork with machine processes.
Technology and new practices
Textile printing has moved from traditional hand-block and screen methods to digital printing, which allows shorter runs, faster sampling, and complex color work. Digital textile printing and CAD-driven design systems now coexist with artisanal practices. Sustainability concerns have also changed sourcing and production: consumers and brands increasingly expect transparency, lower-waste processes, and environmentally friendly dyes and fibers.What remains constant
Artistry and imagination remain central. Textile printers and designers still rely on a mix of craft skill, color sense, and technical knowledge. Regional textiles continue to inspire contemporary designers, and festivals and trade weeks still serve as places for ideas, orders, and collaborations.Looking ahead
The industry will continue to balance heritage crafts and new technologies. Growth points include digital textile printing, sustainable materials, faster sampling via technology, and wider digital retail channels that make regional designs visible globally.FAQs about Textile Printing
What is the historical origin of textile printing?
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